Exhibitions
du jour
Par désir, par hasard
J’aime plus l’été
Bloc-notes
De la tendresse
Antifer
Divinités, fleurs, plis et replis
Repeupler nos mondes
About
Archive
Pour l’instant
Cinéma
[sic]
Can't
Packt Like Sardines In a Crushd Tin Box
Abyss
Scroll
H+
7/12/80
O.P
Marsyas
Des moitiés
Good Afternoon
Isidro 2
Duo
The juggler
La peinte
Fake
Isidro
Études de paysages
Fata Morgana
Chambre 3
Chaise Kasparov
Trombinoscope
Double 2
X-files
Sunn
Chambre 116
Aura
Rendlesham
Chambre 1
Souffle
Groom lake
Dessous
I want to believe
Le jet
The wardrobe
M1, M2, M3
Astronautes
Sans titre
T-1000
Sans têtes
Sans titre
Boom !
Apolo
Sans titre
Plie
La porte
Sans titre
Toupet
Bathing women
Gisant 1
Gisant 2
Humain d’acier
Miroir
Bételgeuse
Sans titre
3 poissons
Turin
Double
UBU
AA
Madone du grand duc 2
King
Skull 2
Skull
Rip, Thom
Tunnel
Stay
Test 2
Drapé
Test 3
Vitry
Madone
Sky
Mirage
Bob Ross painting
Antifer
J’aime plus l’été, july 2023.
Group show with Pauline-Rose Dumas, Victoire Inchauspé et Bastien Pery.
Curating by Emma Brisot and Hippolyte Sadrin.
© Nicolas Brasseur.
Through the train window, memories emerge — elusive, caught in the ebb and flow of our thoughts. Ephemeral landscapes pass by, escaping our grasp. Faces follow one another, fading and blending in a fragile calm where contours dissolve. Each person carries within them their own melancholy: some flee, seeking to escape the hold of memory and free themselves from the weight of the past; others return home, to where time has stood still. Still others travel onward, eager to relive the thrills of past summers and awaken the echoes of southern embraces. A train journey can offer this: to sink into the cathartic sweetness of melancholy, so often close to happiness.
Sosthène Baran’s atmospheric landscapes carry the taste of memory, inviting emotional release. Through his work with multiple layers, specters emerge — playing with our perception and the ambiguity between what we wish to see and what we believe we see.
Emma Brisot.